reflection and
passing-
through, enter forward
to receive, then rebuttal, rebuke
return, reflect considering
the passing pressing upon found
spaces we find ourselves in.
for future tenses
irregular and unimaginable, yet.
Performance tonight, 20h
a physical space, carved with fingerprints on open glass. distance scented a stream of invisible vinyl. and her hair tied to stone found it’s way around without a reflection.
Bamako, Mali
quartier de fleuve, camel hair & cotton, sahara, panther hides, bronze knives, security, malaria, mosquitos, red dust
thoughts on today 11.6.2015 passing time for Jonathan Calm:
-the democratic people the demo public demo people public republic of in no dependence interdependence did you, where chaos? finger licking good. did you? above you did? in where? behind demo republique, no still, in, out, a stale, mate. a democratic people presented, pronounced, finger licking good.
The Institute of Contemporary Art/Boston & Black Mountain College Exhibition
If you are in Boston Friday, Nov. 6, 2015, at 1pm, I will be performing a recreation of John Cage’s Theatre Piece No. 1, called “Passing Time” by Jonathan Calm, at the The Institute of Contemporary Art/Boston for their retrospective exhibition on Black Mountain College. The performance happening will be in the 4th floor galleries.
My performance work for AIDS Action is on view as part of @artceteraboston this Sat, Oct. 3; 10am-2pm at the Park Plaza Castle in Boston!
A new video piece has been made and will be projected the whole evening 6:30-11pm.
For tickets: https://secure2.convio.net/aac/site/Ticketing?view=Tickets&id=101401
What do you know about ingrown hairs steeped in tiny hermit cemeteries? Float; drowned babes, this denim suit sweats for your sandcastle envy, surround sound shells–a clean floor. We all swim in your forever. Dissolving things we can’t touch, because , nothing more than now passing quick future.
ARTE profile : Bushwick , the emerging underground scene of New York
Video documentation of live “audio landscape” performance, Sensational Stanzas (description below)
___________________
I constructed & performed a visual art piece in 5 parts: titled, “Sensational Stanzas” for five consecutive days (Friday, June 19 - Tuesday, June 23). The piece was choreographed as metaphor for the psychological distance we create on a daily basis through our self projected images of identity.
A group of curators from Session 24 at the Centre National d'Art Contemporain de Grenoble programmed a streaming broadcast at takeyouthereradio.org as an ephemeral exhibition. I constructed a material landscape performance that was “seen” through the radio broadcast via sounds that were transmitted live.
Select days have been recorded and can be heard here:
The exhibition recordings will be broadcast again through Campus Radio 90.8 & r22.fr
Official website for the exhibition here : takeyouthereradio.org
Thanks to Martina Margini & Asli Seven for their support!
Brooklyn // Grenoble
www.autumnahn.com | apaxahn@gmail.com
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